The Nobel Prize in Literature 1981-1990

The Nobel Prize in Literature 1981

Elias Canetti “for writings marked by a broad outlook, a wealth of ideas and artistic power”.

The Nobel Prize in Literature 1982

Gabriel García Márquez “for his novels and short stories, in which the fantastic and the realistic are combined in a richly composed world of imagination, reflecting a continent’s life and conflicts”.

Gabriel García Márquez was born in 1927 in the small town of Aracataca, situated in a tropical region of northern Colombia, between the mountains and the Caribbean Sea. He grew up with his maternal grandparent – his grandfather was a pensioned colonel from the civil war at the beginning of the century. He went to a Jesuit college and began to read law, but his studies were soon broken off for his work as a journalist. In 1954 he was sent to Rome* on an assignment for his newspaper, and since then he has mostly lived abroad – in Paris, New York, Barcelona and Mexico – in a more or less compulsory exile. Besides his large output of fiction he has written screenplays and has continued to work as a journalist.

The Nobel Prize in Literature 1983

William Golding “for his novels which, with the perspicuity of realistic narrative art and the diversity and universality of myth, illuminate the human condition in the world of today”.

The Nobel Prize in Literature 1984

Jaroslav Seifert “for his poetry which endowed with freshness, sensuality and rich inventiveness provides a liberating image of the indomitable spirit and versatility of man”.

The Nobel Prize in Literature 1985

Claude Simon “who in his novel combines the poet’s and the painter’s creativeness with a deepened awareness of time in the depiction of the human condition”.

The Nobel Prize in Literature 1986

Wole Soyinka “who in a wide cultural perspective and with poetic overtones fashions the drama of existence”.

The Nobel Prize in Literature 1987

Joseph Brodsky “for an all-embracing authorship, imbued with clarity of thought and poetic intensity”.

Brodsky was born in 1940, in Leningrad, and began writing poetry when he was eighteen. Anna Akhmatova soon recognized in the young poet the most gifted lyric voice of his generation. From March 1964 until November 1965, Brodsky lived in exile in the Arkhangelsk region of northern Russia; he had been sentenced to five years in exile at hard labor for “social parasitism,” but did not serve out his term.

Four of Brodsky’s poems were published in Leningrad anthologies in 1966 and 1967, but most of his work has appeared only in the West. He is a splendid poetic translator and has translated into Russian, among others, the English metaphysical poets, and the Polish emigre poet, Czeslaw Milosz. His own poetry has been translated into at least ten languages. Joseph Brodsky: Selected Poems was published by Penguin Books in London (1973), and by Harper & Row in New York (1974), translated by George L. Kline and with a foreword by W.H. Auden. A volume of Brodsky’s selected poems translated in French has been published by Gallimard; a German translation, by Piper Verlag; and an Italian translation, by Mondadori and Adelphi. Farrar, Straus, and Giroux published Brodsky’s acclaimed collection, A Part of Speech, in 1980.

On June 4, 1972, Joseph Brodsky became an involuntary exile from his native country. After brief stays in Vienna and London, he came to the United States. He has been Poet-in-Residence and Visiting Professor at the University of Michigan, Queens College, Smith College, Columbia University, and Cambridge University in England. He currently is Five College Professor of Literature at Mount Holyoke College. In 1978, Brodsky was awarded an honorary degree of Doctor of Letters at Yale University, and on May 23, 1979, he was inducted as a member of the American Academy and Institute of Arts and Letters. In 1981, Brodsky was a recipient of the John D. and Catherine T. MacArthur Foundation’s award for his works of “genius”.

In 1986, Farrar, Straus, and Giroux published Less Than One, a collection of Mr. Brodsky’s essays on the arts and politics, which won the National Book Critic’s Award for Criticism.

In 1988 Farrar, Straus, and Giroux published a collection of his poetry, To Urania, and in 1992 a collection of essays about Venice, Watermark.

The Nobel Prize in Literature 1988

Naguib Mahfouz “who, through works rich in nuance – now clear-sightedly realistic, now evocatively ambiguous – has formed an Arabian narrative art that applies to all mankind”.

Born in Cairo in 1911, Naguib Mahfouz began writing when he was seventeen. His first novel was published in 1939 and ten more were written before the Egyptian Revolution of July 1952, when he stopped writing for several years. One novel was republished in 1953, however, and the appearance of the Cairo Triology, Bayn al Qasrayn, Qasr al Shawq, Sukkariya (Between-the-Palaces, Palace of Longing, Sugarhouse)in 1957 made him famous throughout the Arab world as a depictor of traditional urban life. With The Children of Gebelawi (1959), he began writing again, in a new vein that frequently concealed political judgements under allegory and symbolism. Works of this second period include the novels, The Thief and the Dogs (1961), Autumn Quail (1962), Small Talk on the Nile(1966), and Miramar (1967), as well as several collections of short stories.

Until 1972, Mahfouz was employed as a civil servant, first in the Ministry of Mortmain Endowments, then as Director of Censorship in the Bureau of Art, as Director of the Foundation for the Support of the Cinema, and, finally, as consultant on Cultural Affairs to the Ministry of Culture. The years since his retirement from the Egyptian bureaucracy have seen an outburst of further creativity, much of it experimental. He is now the author of no fewer than thirty novels, more than a hundred short stories, and more than two hundred articles. Half of his novels have been made into films which have circulated throughout the Arabic-speaking world. In Egypt, each new publication is regarded as a major cultural event and his name is inevitably among the first mentioned in any literary discussion from Gibraltar to the Gulf.

The Nobel Prize in Literature 1989

Camilo José Cela “for a rich and intensive prose, which with restrained compassion forms a challenging vision of man’s vulnerability”.

The Nobel Prize in Literature 1990

Octavio Paz “for impassioned writing with wide horizons, characterized by sensuous intelligence and humanistic integrity”.

Paz was born in 1914 in Mexico City. On his father’s side, his grandfather was a prominent liberal intellectual and one of the first authors to write a novel with an expressly Indian theme. Thanks to his grandfather’s extensive library, Paz came into early contact with literature. Like his grandfather, his father was also an active political journalist who, together with other progressive intellectuals, joined the agrarian uprisings led by Emiliano Zapata.

Paz began to write at an early age, and in 1937, he travelled to Valencia, Spain, to participate in the Second International Congress of Anti-Fascist Writers. Upon his return to Mexico in 1938, he became one of the founders of the journal, Taller(Workshop), a magazine which signaled the emergence of a new generation of writers in Mexico as well as a new literary sensibility. In 1943, he travelled to the USA on a Guggenheim Fellowship where he became immersed in Anglo-American Modernist poetry; two years later, he entered the Mexican diplomatic service and was sent to France, where he wrote his fundamental study of Mexican identity, The Labyrinth of Solitude, and actively participated (together with Andre Breton and Benjamin Peret) in various activities and publications organized by the surrealists. In 1962, Paz was appointed Mexican ambassador to India: an important moment in both the poet’s life and work, as witnessed in various books written during his stay there, especially, The Grammarian Monkey and East Slope. In 1968, however, he resigned from the diplomatic service in protest against the government’s bloodstained supression of the student demonstrations in Tlatelolco during the Olympic Games in Mexico. Since then, Paz has continued his work as an editor and publisher, having founded two important magazines dedicated to the arts and politics: Plural(1971-1976) and Vuelta, which he has been publishing since 1976. In 1980, he was named honorary doctor at Harvard. Recent prizes include the Cervantes award in 1981 – the most important award in the Spanish-speaking world – and the prestigious American Neustadt Prize in 1982.

Paz is a poet and an essayist. His poetic corpus is nourished by the belief that poetry constitutes “the secret religion of the modern age.” Eliot Weinberger has written that, for Paz, “the revolution of the word is the revolution of the world, and that both cannot exist without the revolution of the body: life as art, a return to the mythic lost unity of thought and body, man and nature, I and the other.” His is a poetry written within the perpetual motion and transparencies of the eternal present tense. Paz’s poetry has been collected in Poemas 1935-1975 (1981) and Collected Poems, 1957-1987 (1987). A remarkable prose stylist, Paz has written a prolific body of essays, including several book-length studies, in poetics, literary and art criticism, as well as on Mexican history, politics and culture.